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# Song of Songs, Chapter 6
## Chapter 6
### The Lost Lover Found
1 D Where has your lover gone, ^song-of-songs-06-1
most beautiful among women?
Where has your lover withdrawn
that we may seek him with you?
2 W My lover has come down to his garden, ^song-of-songs-06-2
to the beds of spices,
To feed in the gardens
and to gather lilies.
3 I belong to my lover, and my lover belongs to me; ^song-of-songs-06-3
he feeds among the lilies.
### The Beauty of the Woman
4 M Beautiful as Tirzah are you, my friend; ^song-of-songs-06-4
fair as Jerusalem,
fearsome as celestial visions!
5 Turn your eyes away from me, ^song-of-songs-06-5
for they stir me up.
Your hair is like a flock of goats
streaming down from Gilead.
6 Your teeth are like a flock of ewes ^song-of-songs-06-6
that come up from the washing,
All of them big with twins,
none of them barren.
7 Like pomegranate halves, ^song-of-songs-06-7
your cheeks behind your veil.
8 Sixty are the queens, eighty the concubines, ^song-of-songs-06-8
and young women without number—
9 One alone is my dove, my perfect one, ^song-of-songs-06-9
her mother’s special one,
favorite of the one who bore her.
Daughters see her and call her happy,
queens and concubines, and they praise her:
10 “Who is this that comes forth like the dawn, ^song-of-songs-06-10
beautiful as the white moon, pure as the blazing sun,
fearsome as celestial visions?”
### Love’s Meeting
11 W To the walnut grove I went down, ^song-of-songs-06-11
to see the young growth of the valley;
To see if the vines were in bloom,
if the pomegranates had blossomed.
12 Before I knew it, my desire had made me ^song-of-songs-06-12
the blessed one of the prince’s people.
\* (6:1) The Daughters of Jerusalem are won by this description of the lover and offer their aid in seeking him (cf. [5:6], [9]).
\* (6:2] – [3) The woman implies here that she had never really lost her lover, for he has come down to his garden (cf. [2:16]; [4:5]). Feed…lilies: the imagery here evokes both a shepherd pasturing his flocks and erotic play between the lovers ([2:16]; [4:5], [12], [16]).
\* (6:4] – [9) The man again celebrates the woman’s beauty. Tirzah: probably meaning “pleasant”; it was the early capital of the Northern Kingdom of Israel ([1 Kgs 16]). Celestial visions: the meaning is uncertain. Military images may be implied here, i.e., the “heavenly hosts” who fight along with God on Israel’s behalf (cf. [Jgs 5:20]), or perhaps a reference to the awesome goddesses of the region who combined aspects of both fertility and war.
\* (6:9) One alone: the incomparability of the woman is a favorite motif in love poetry.
\* (6:10) “Who…”: the speakers may be the women of vv. [8] – [9]. Moon…sun: lit., “the white” and “the hot,” respectively (cf. [[isaiah-24|Is 24]]:23; [30:26]). Fearsome: see note on [6:4] – [9].
\* (6:11) Walnut grove: also a site of activity in a wedding hymn of the Syrian moon goddess Nikkal (cf. the woman compared to the moon in v. [10]).
\* (6:12) The text is obscure in Hebrew and in the ancient versions. The Vulgate reads: “I did not know; my soul disturbed me because of the chariots of Aminadab.” Based on a parallel in [Jgs 5:24], “chariots” is here emended to “blessed one.”
a. (6:2) [Sg 4:12]; [5:1].
b. (6:3) [Sg 2:16]; [7:11].
c. (6:5) [Sg 4:9].
d. (6:6] – [7) [Sg 4:1] – [3].
e. (6:10) [Sg 3:6]; [8:5].
f. (6:11) [Sg 4:12] – [5:1]; [7:13].
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_New American Bible, revised edition_ (2010, 1991, 1986, 1970) Confraternity of Christian Doctrine, Washington, D.C.
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